This blog is a brief study of the demographics of the Hugo Award for Best Novel nominees and winners. You can find my detailed study of just the winners here. A general parent page for my work on the Hugo demographics is here. Continue reading
< Edit. I’ve now conducted brief demographic studies on Best Novella, Best Novelette and Best Short Story. Main page for these little studies is here. >
On Twitter today I made a remark to the talented Mary Robinette Kowal about the demographics of the Hugos. On reflection I wasn’t confident that my conclusion was actually borne out by the numbers. I had no real idea (despite Sad Puppies and Bad Puppies and all the other fracas swallowing my feed) of what the demographics of the Hugo winners really looked like. I had a quick Google and couldn’t find anything helpful, so I thought I’d chuck some stuff together. Hope someone, somewhere is interested. Continue reading
What seems like an age ago now, I headed down to Canberra for Conflux 9. This is my very quick wrap.
For the TL:DR crowd;
1. It was awesome. If you are even marginally interested in writing SFF, sell a kid and go next year.
2. I won the short story comp. Huge cheer. Even huger sigh of relief. My family, friends and writing groups haven’t just been humouring me!
Being serious for a moment, winning this was just a fantastic feeling, especially as Reunification is the first piece of writing I’ve liked enough to send off. It’s probably the thing I am most proud of professionally (ever!).
Here is a pic of me grinning like an idiot as I get my award:
Now for a slightly longer breakdown.
I went along to three workshops. Writing to sell by Patty Jansen, Polishing your Turds by Ian McHugh and Vivid, Vital Characters by Karen Miller. Luckily, Mark Webb went to all the same workshops as me. Go read his blog here. It is much better than this and I’m feeling lazy!
Personally, I found Ian’s workshop especially useful. I already use a system similar to what he described, but I was particularly impressed by how methodical and structured his approach is. His style of turd polishing is definitely something I am going to steal! If you want to see his system in action, go and read Bitter Dreams – it is the best short I’ve read in years.
I also had a little workshop on pitching with the brilliant Rowena Cory Daniels. Long story short, it isn’t hard to see why this fantastic author has been so successful. Her ability to really tease out the heart of a novel and then sell its essence was very,very impressive. To say that this session was helpful would be the understatement of the year. The only unfortunate thing was that it was after my first four pitches! Grrrrrr.
In summary, workshops were great. Thanks to everyone one who ran one, I came out of all of them having learnt a lot. My only complaint would be that the last two were on at 08:00! That hurt.
I had five pitches! Despite their being bloody nerve wracking, they went pretty well AND I got a few requests for the full manuscript of Game Bird (yay). This is pretty exciting and a massive honour, but ultimately only tells me that I can talk shit, which I already knew. Now I am nervously waiting for replies.
I’ll write a detailed post on what I learnt soon, but a few quick thoughts.
1. I’d read hundreds of blogs in prep and a lot of them kept coming back to how nasty and aggressive agents and publishers can be. In my brief experience, this couldn’t be further from the truth. Everyone I pitched to was lovely and extremely professional.
2. Five pitches was tough and having them looming over me made it a little hard to enjoy the first three days. A big thank you to the lovely Lily Mulholland, who always had a kind word as I settled in to wait for my next pitch. I’m going to work on this calm for next time;
The tribe, the crew.
Were amazing. I only knew one person going to Conflux and I was interested to see how this interloper would be received. I had nothing to worry about, everyone was incredibly friendly and very, very welcoming. I don’t have a huge circle of friends interested in SFF and it was just great to sit down and chat with people who share my passion. Very, very cool. I can’t believe how many talented people there are in the Australian scene. Amazing stuff.
Even better, I met some people who I am already looking forward to catching up with again. I suppose you can’t hope for more than that!
And then it was back to the bedlam of project budget meetings and a metric shitload of overtime. Sigh.
A warning before we start, hard data on anything about publishing seems pretty much impossible to find. Especially as half the chumps writing on the subject are either trying to scam your coin or defend their turf. So if you are expecting numbers, I’m going to disappoint you. Sorry.
What I have tried to do is summarise what I’ve learnt during my own reading about self publishing. Hope it helps someone.
So after this reading do I want to self publish Game Bird?
No. Continue reading